Jan Ozer
Jan has worked in digital video since 1990, and is the author of 13 books related to video technolgy. Jan currently writes for StreamingMedia.com, Digital Content Producer and EventDV. In addition to producing seminars and for streamingmedia.com and the MCA-I, Jan instructs two and three day video production seminars for the Digital Media Academy.
Content Posted by Jan Ozer
H.264 Scalable Video Coding - what you need to know
- July 13, 2009
- 1 comment
Over the next two or three years, streaming producers will
be increasingly tasked supplying optimized video streams to devices as
disparate as cell phones and set top boxes, along with different quality
versions for users accessing the content over the general Internet. While there
have been multiple proprietary approaches to this problem, including
Microsoft’s multiple bit rate video, one very strong candidate will be an H.264
extension called Scalable Video Coding. Dicas claims new algorithm boosts H.264 quality by 30%
- July 7, 2009
- 3 comments
Dicas produces the H.264 codec used by Telestream in most (if not all) of their encoding products, including Episode Pro and Episode Engine. On June 11, 2009, Dicas announced a new quality enhancing algorithm called dicasVICO that the company claims will deliver equivalent quality to today's streams at a 30% lower bit rate. The full article contains a very brief description about how the new codec works and why it's important.
Video tutorial: producing H.264 video for Flash Distribution with Apple Compressor
- July 5, 2009
- 4 comments
This video tutorial details how to use Apple Compressor to produce H.264 video files for Flash distribution.
Encoding Screencams: Codecs and Techniques
- July 2, 2009
- 2 comments
In Producing Screencams that Market and Sell, I described
how to script, record, and edit a screencam presentation for fun or
profit. In this article, I’ll detail which codec does the best job
compressing screencams for internet delivery, which encoding parameters
work best and why, and which encoding tools do the best job producing
the compressed screencam.
Universal Encoding Parameters for Screencams
- July 2, 2009
- No comments
In Producing Screencams that Market and Sell, I described
how to script, record, and edit a screencam presentation for fun or
profit. In this article, I’ll detail which codec does the best job
compressing screencams for internet delivery, which encoding parameters
work best and why, and which encoding tools do the best job producing
the compressed screencam.
Producing Screencams with VP6
- July 2, 2009
- No comments
In Producing Screencams that Market and Sell, I described
how to script, record, and edit a screencam presentation for fun or
profit. In this article, I’ll detail which codec does the best job
compressing screencams for internet delivery, which encoding parameters
work best and why, and which encoding tools do the best job producing
the compressed screencam.
Producing Screencams with H.264
- July 2, 2009
- No comments
In Producing Screencams that Market and Sell, I described
how to script, record, and edit a screencam presentation for fun or
profit. In this article, I’ll detail which codec does the best job
compressing screencams for internet delivery, which encoding parameters
work best and why, and which encoding tools do the best job producing
the compressed screencam.
Producing Screencams with Windows Media Video
- July 2, 2009
- No comments
In Producing Screencams that Market and Sell, I described
how to script, record, and edit a screencam presentation for fun or
profit. In this article, I’ll detail which codec does the best job
compressing screencams for internet delivery, which encoding parameters
work best and why, and which encoding tools do the best job producing
the compressed screencam.
Producing Screencams that Market and Sell
- July 2, 2009
- 2 comments
Screencams are a wonderful tool for demonstrating software operation.
In many cases, producing them can almost be a real-time event—you
capture and narrate simultaneously, import the result into Camtasia
Studio, add titles and such, export the finished file, and move on to
the next project. However, when you’re producing tutorials for a client, or otherwise seeking a more polished look and feel that maximizes the marketing potential of screencams, you may have to take a different approach.This article details how to create a screencam script for maximum impact, how to capture at maximum quality and how to edit your screencam most efficiently in programs like Adobe Premiere Pro.
Client approval and script creation
- July 2, 2009
- No comments
Screencams are a wonderful tool for demonstrating software operation.
In many cases, producing them can almost be a real-time event—you
capture and narrate simultaneously, import the result into Camtasia
Studio, add titles and such, export the finished file, and move on to
the next project. However, when you’re producing tutorials for a client, or otherwise seeking a more polished look and feel that maximizes the marketing potential of screencams, you may have to take a different approach.This article details how to create a screencam script for maximum impact, how to capture at maximum quality and how to edit your screencam most efficiently in programs like Adobe Premiere Pro.