Jan Ozer

 

Jan has worked in digital video since 1990, and is the author of over 20 books related to video technolgy, including Producing Streaming Video for Multiple Screen Delivery and the Premiere Pro CC: Visual QuickStart Guide. Jan currently writes for Streaming Media Magazine and Streaming Media Producer, and consults widely on streaming media-related topics.

Content Posted by Jan Ozer

Column on Distributing HD Videos over the Internet at EventDV.net

Here's how it starts. So there I was, struggling for an idea for a column, and editor Stephen Nathans-Kelly mentioned that there was growing interest in distributing HD event-based videos to clients over the internet. Fortunately, this dovetailed ...

H.264 Presentations from Streaming Media Europe

I gave two presentations at Streaming Media Europe last week, one a three hour presentation on producing H.264 for Flash, Silverlight, QuickTime and HTML5, the other a 30 minute short course on producing H.264. Both presentations are attached hereto. Click over to the main article to download them.

The Moving Picture: So You Want to Deliver Your HD Videos Online...

So there I was, struggling for an idea for a column, and editor Stephen Nathans-Kelly mentioned that there was growing interest in distributing HD wedding videos to clients over the internet. Fortunately, this dovetailed well with some research that I recently performed, so here we are. If you’re considering distributing some or all of your wedding or event-related content over the internet in HD, you need to ask yourself at least four questions.

Click to the main article to read the rest of the story. 

Producing H.264 with Episode 6 and Squeeze 6.5

Article just posted at Digital Content Producer. I got an early look at Telestream's completely new Episode 6, with a hot new interface, and improved H.264 quality and performance. I also looked at Squeeze 6.5, which didn't really update any H.264-re...

The Moving Picture: Encoding Tips for 24p Footage

If you’re shooting in 24p, you should deliver your projects in 24p. This sounds obvious and simple, but it can get surprisingly complex depending upon your choice of encoding and authoring tool. I just spent 2 weeks comparing MPEG-2 encoders, and I saw a surprising difference in quality and ability to deliver 24p footage that Apple’s DVD Studio Pro could import and the quality Adobe Encore was able to achieve without re-encoding. In this column, I’ll discuss those findings and detail the best workflows for producing 24p DVDs.

Click to the main article to read the rest of the story. 

Adobe Ships FMS 4 (HTML5 Falls Even Further Behind)

Today, Adobe announced the immediate availability of Flash Media Server 4. My buddy Tim Siglin did a wonderful job reviewing the new features in this article at StreamingMedia.com, or you can read the press release here.  Here's a partial list of ne...

The Five Key Myths About HTML5

I was preparing for a webinar last week and scanned 46 websites to see how many used HTML5 as the primary playback option for video. This was a mix of media sites (14), business to consumer sites (22) and business to business sites (10). The answer was 1 - Wikipedia - with YouTube offering HTML5 as an alternative to Flash. Even Apple - the sugar doesn't melt in my mouth, we believe in open standards -- poster child for HTML5, uses the QuickTime plug-in for displaying video on Apple.com.

That got me thinking; why would any site where video was mission critical use HTML5 today, or even in the near term? There’s no standardized way to protect their content, no streaming server that can efficiently dole the content out to multiple viewers on different browsers and no scheme for adaptive streaming. There isn’t even full support for all advertising servers.

Looking at it from the other direction, the installed base of HTML5 compatible browsers is only around 40-50%, depending upon who you ask, and you need to produce using at least two, perhaps three codecs to service those browsers. That made me realize that HTML5 is a FUD and media driven fiction that won't be widely relevant for at least three or four years, and then only if the relevant parties make some hard decisions that they've as of yet shied away from.

So here are my five key myths about HTML5.

Creating Flash-Compatible MOV files with Compressor

fast start.jpgYou've got an H.264-based MOV file that you want to use for Flash production, but it won't load into Flash or Flash Catalyst. Can you simply change the extension from MOV to F4V? If you're encoding the file, should you choose None, Fast Start or Fast Start - Compressed Header when producing for progressive download. Click over to the main articles for the answers to these question and more.

x264Encoder vs the Apple Codec

If you're looking for the highest quality H.264 output, and encode on the Apple platform, you should try the x264Encoder encoder, which you can download here. This article contains comparison images and downloadable files to accompany my comparison review for Digital Content Producer (like to come).

MPEG-LA Announces No royalties on Free Internet Videos - Ever

This is a story I've been following for awhile. By way of background, MPEG-LA represents the H.264 patent holders and is charged with administering all licenses and collecting all royalties, which are paid by companies who build H.264 encoders, pl...