Jan Ozer

 

Jan has worked in digital video since 1990, and is the author of over 20 books related to video technolgy, including Producing Streaming Video for Multiple Screen Delivery and the Premiere Pro CC: Visual QuickStart Guide. Jan currently writes for Streaming Media Magazine and Streaming Media Producer, and consults widely on streaming media-related topics.

Content Posted by Jan Ozer

Adobe Drops Flash for HTML5

OK, I'll be honest, the headline is strictly for grabbing eyeballs. Still, on several videos that I checked, Adobe is using HTML5 for delivery, rather than Flash, going as far as to encode in VP8 for Firefox playback (rather than falling back to Flas...

Webinar: Leverage Existing Video End Points and Infrastructure with Webcasting

I'll be moderating a webinar for Talkpoint on how companies can leverage their existing infrastructures with webcasting. The date is August 19th, 2014 at 11:00am EST, and speakers will include Adam Bell, Global Digital Marketing, from Mastercard, and...

Another 5-Star Review for Video Compression Book

I just got another 5-star review for compression book Producing Streaming Video for Multiple Screen Delivery, this one from Joshua Horowitz who commented, "I wish they offered a class based on this book in undergrad." Well, here's the whole review. ...

Choosing an Enterprise YouTube System-Handout and Video

Here's the description.

We’ve been hearing about corporate YouTubes for a while; or services that allow employees, partners and other stakeholder to upload video to a site with structured moderation and security. But how do these differ from a traditional online video platform and what features should you consider when choosing between different options? In this session, attendees will learn what a corporate YouTube is, hear about the most common use cases and see a demonstration of the content upload and moderation workflow for various solutions on the market. You’ll walk away knowing what a corporate YouTube is, why you might want one, and how to identify the differentiating features of various systems.

Click over to the article for the handout and to watch the video.

Encoding for Multiple Screen Delivery-Video and Handout

Here's the description.

Most publishers today have to distribute to three sets of screens: desktop, mobile, and TV. This session will start by detailing the playback capabilities and technology compatibilities of all three platforms. Then it will explore the technical issues and feasibility of producing one set of streams for all platforms, including how technologies like transmuxing and live transcoding can simplify the overall distribution workflow.

Click over to the article to download the handout and watch the presentation.

Harmonic Cloud Encoding Demo

Harmonic went from no cloud encoding offerings to three cloud encoding offerings in a matter of months. In this video, Bryant Maness, product manager for file transcoding, demonstrates all three. The first allows you to add cloud nodes to your WFS sy...

Wowza VP Chris Knowlton Demos New Streaming Engine User Interface

Wowza Streaming Engine (formerly Wowza Media Server) debuted its new graphical user interface in February, 2014. In the words of Wowza CEO David Stubenvoll: If you wanted to do iOS streaming in Wowza 3 you had to hand code in three locations, but now...

Harmonic CMO Peter Alexander Describes Company's Cloud Strategy

With gross revenue in the $400 million range ($108 million for Q2 2014), Harmonic Inc. is one of the largest encoding companies on the planet, but they've been strangely quiet on the cloud-encoding front. This changed around NAB 2014, when the compan...

MediaPlatform PrimeTime Review: A Sleek Enterprise YouTube

I'm getting pretty excited about enterprise YouTube products in general; particularly after writing about the value eBay saw in their enterprise system (see eBay Embraces Enterprise YouTube). I also liked, but wasn't overwhelmed by, the Silverlight-b...

Amazon Transcoder; My Review (Meh!)

On one level, Amazon's Elastic Transcoder is a finely-tuned service well crafted for the largest sweet spot of the cloud encoding market, Plain Jane H.264 transcoding. On another level, its a service that aimed low from an interface and usability sta...