Streaming Learning Center

I just spent about a month with the Canon EOS 7D, specifically to evaluate its HD video shooting capabilities. The results were very impressive, with amazing depth of field, and relatively low noise in low light situations. You can read my review here.

Click over to the article to see some of the sample videos I shot with the 7D.

Lisa Larson-Kelly and Jan Ozer will host the Streaming Production and Flash Delivery Workshop on March 23, 2010, at the Fashion Institute of Technology in New York City. The workshop will feature two tracks, Streaming Production and Flash Delivery, each comprised of two ½ day courses.

The workshop courses detail the complete streaming production and delivery workflow, from set design to Flash Media Server setup, from H.264 encoding to Flash Player creation. The instructors are recognized authors, experienced producers and frequent speakers at industry workshops hosted by organizations like Streamingmedia.com and the MCA-I.

Early bird pricing is $170 for any ½ day course, or $300 for the full day. For more information or to sign up, visit http://streamingflash.eventbrite.com.

I just got off the phone with MPEG LA President and CEO Larry Horn regarding MPEG-LA’s announcement that the AVC Patent Portfolio License will continue not to charge royalties for free Internet video through December 31, 2016. Click through to the main article to read the Q&A.

This is a video from a session at Streaming Media West. In addition to the production/pre-processing and encoding tips, it's a unique opportunity to see me - Jan Ozer - as a blonde, which I was for roughly 6 weeks last year (a Halloween thing).

Click through to the main article to watch the video.

A Windows 7 upgrade can cost more than $300 for the software alone -- is it worth it if you're a streaming producer looking to shave encoding times? Well, that's what I detail in this article.

By way of background, I had a great testbed for this - a dual processor, quad core 3.33 Ghz Xeon (Nehalem-based) computer from custom workstation manufacturer Puget Systems. Puget supplied the workstation with three system drives in an easily swappable drive bay so I could change operating systems in a matter of moments. Thus equipped, I loaded a number of programs on the three system drives, including Adobe Media Encoder, On 2 Flix Pro, Rhozet Carbon Coder, Sorenson Squeeze and Telestream Episode, and ran the encoding trials on each platform. Click over to the main article to see the results.

Of all the skills necessary to successfully edit video, one of the most important is brightness and color correction. To understand how to adjust brightness and color optimally, you have to know how to read a waveform monitor.

In this tutorial, first we'll learn how to enter Final Cut Pro's color correction mode and read the waveform monitor. Then we'll learn how to diagnose and correct a range of brightness and color related problems Using Final cut Pro's Color Corrector effect. Click over to the main article to view the tutorial.

On November 12, YouTube announced that "1080p HD Is Coming to YouTube." In this article, I'll describe the type of file you should upload to trigger 1080p encoding, analyze the 1080p files created by YouTube and detail the other files created by YouTube in addition to the 1080p file. Click over to the full article to read on.

When you stream over 18,000 live hockey games a year, you have to learn a bit about what works and what doesn’t. So when I chatted with Marc Ruskin, President of FASTHockey, Inc, the premier online destination for amateur ice hockey games from across North America, I was anxious to get some live production related tips. And he didn’t disappoint.